The first few chapters of Moby Dick are enriching and captivating. It seems as if every sentence is laden with depth, and every chapter ends with a meaningful reflection. This initial section is mostly an introduction to the characters and setting, and as such, it contains a variety of descriptions. Long sentences and a multitude of adjectives are common, and the Melville’s care and detail allow us to perfectly envision his world. I found it especially interesting that occasionally, the narrator will dive into some profound reflection; the reading experience becomes even more exciting because we are able to learn something through the author’s wandering meditations. There are even certain moments whilst reading a short description when I think “yes, someone finally put this (feeling, idea, etc.) into words!” I was surprised to discover the book is also incredibly humorous–the series of events during the first meeting between Ishmael and Queequeg being the most noticeable to me–and the use of irony is especially prominent. The characters are vivid and complex. The author masterfully crafts past experiences for his characters, which affect the way they each react to their current circumstances (like the ominous presence Ishmael encountered as a child which resurfaces when he awakes to find Queequeg hugging him). Every individual in the story is completely unique and possesses qualities that truly make the reader interested in their life. Ishmael’s passionate and open-minded nature, the sweet and loving heart of the cannibal Queequeg, and the apprehension built around the mysterious Captain Ahab all combine to form an intriguing, page-turning story, even if the book is not very heavy on plot.
Furthermore, this first section already introduces a broad set of themes. Fate is among the most noticeable. Ishmael begins his account by stating that despite the various motivations he had for embarking on his whaling journey, really, the sole work of “Fate” was behind his ordeal, and the reasons he had stated were nothing more than a delusion; they led him to believe he was indeed exercising his free will. The theme of death is first introduced within the Whalemen’s Chapel: as Ishmael observes the memorial tablets in honor of deceased sailors, he ponders over the thought of dying at sea. It is quite despairing to never be able to see your loved one again, much less bury them properly. The preacher’s hymn mentions how God is with us in trouble and in death, which gives the reader an impression that the whaling trip will not be devoid of tragedy. The contrast between Western “Christian” culture and “savage” native culture is another theme that is heavily emphasized. However, the author makes use of this to criticize certain aspects or “Christian” culture. After Ishmael’s initial meeting with Queequeg, he remarks that it is better to sleep with a sober cannibal then a drunken Christian. On another instance, Ishmael states that he prefers the genuine, although uncivilized nature of Queequeg rather than hollow Christian courtesy. The very friendship that blooms between Queequeg and Ishmael carries a powerful message to the readers of this time.
One of the memorable scenes for me throughout this section was Father Mapple’s sermon, primarily because it reminded me of great spiritual truths. The biblical story of Jonah was a perfect match to the theme of the book. The preacher’s main argument is that obeying God consists of constantly disobeying ourselves. If we do sin, our Father gladly forgives us. Finally, we should never abandon our duty to share the gospel, as Jonah did. Father Mapple is captivating and preaches with vivacity and fervor, which allows his words to truly impact his audience. He extends Jonah’s story to fit his own reality and fills it with thrilling details. The Bible does not describe exactly how Jonah embarked on his runaway vessel, for example, so Father Mapple takes his own liberties and creates a tense encounter between Jonah and the captain of the ship. Jonah’s thoughts and feelings are described, however, the essence of the Biblical truth remains. You can almost see Father Maple’s wild gesticulations and potent shouts as the tale progresses. Finally, he reveals humility through his passionate reverence towards the Lord. He climbs on a pulpit above the ground, perhaps to symbolize his detachment from the world, Ishmael observes. He informs the audience that his sermon is especially directed towards himself, for he is a greater sinner than they. He finalizes the sermon with an emotion which no one else in the chapel can comprehend, and with a slight touch of melancholy for the fact that nobody seems to fully grasp the essence of that wonderful Truth. He shows care and concern to the small congregation, even though we only see him for two chapters.
There are countless more scenes and descriptions which stand out throughout this section. These chapters have been a buildup of introduction as well as suspense, and now the full scope of the journey will ensue; massive revelations dangers most likely lie ahead.
The Agora: AP LANG 2019-2020 